2,682 로열티 프리 오디오 트랙들 "Symphony No. 5 (beethoven)"에 대한

*Syntonic comma on C = C+ (Ben Johnston's notation). 81:80 = 21.51 cents. Limit: 5-limit. MIDI pitch bend: 113,10

Typical example of horn fifths from the finale of Beethoven's 9th Symphony

Beethoven Piano Sonata Op 22, 2nd movement, bars 30-32

Grosse Fuge Opus 133 by Ludwig von Beethoven, recorded by the Lener Quartet in 1919. First published recording of this piece. Jenö Léner (or Lehner), first violin, Joszef Smilovits second violin, Sándor Roth viola and Imre Hartmann cello. Recorded on the Columbia label (in 78 RPM format).

Fifth Symphony, opening, known as the "fate" motif.

Consecutive perfect authentic cadences in Beethoven's Piano Sonata, Op. 13.

The opening of Vth of Beethoven's Seven Variations on "God Save the King" WoO 78 (1804) introduces Alberti bass patterns.

Syncopation (sfz) in Beethoven's String Quartet in A Major, Op. 18, no. 5, III, variation I, m. 7-8. Created by Hyacinth (talk) 19:26, 12 March 2011 (UTC) using Sibelius 5. For comparison: File:Beethoven - String Quartet in A Major, m. 7-8 without syncopation.mid

Op. 109, bars 1-4.

Op. 109, bars 1-4.

Nederlands: Ludwig van Beethoven: Für Elise, Bagatelle nr. 25 WoO 59 (overgetikt) PD aangezien componist meer dan 70 dood is

Typical example of horn fifths from the finale of Beethoven's 9th Symphony

Ludwig van Beethoven: Bagatelle in A minor ("Für Elise"), WoO 59

Transition in Mozart's Sonata in C Major, K. 309, I, measures 21-32.

Leading-tone half-diminished seventh chord as dominant in Mozart, Piano Sonata in D Major, III (end of Variation V), K. 284, mm.14-17.

Recapitulation transition in Mozart's Sonata in C Major, K. 309, I, measures 116-126.

Bach; Chaconne d-moll Heifetz

*Just tritone on C = G♭- (Ben Johnston's notation). 64/45 = 609.78 cents. Limit: 5-limit. MIDI pitch bend: 16,67

*Just augmented fourth (45th harmonic) on C = F♯+. 45/32 = 590.22 cents. Limit: 5-limit. MIDI pitch bend: 112,60 Midi pitch bend on ~B 112,60 for 590.234375 cents rather than 600.

*Square root of 5 on C. √5/2 = 193.16 cents. MIDI pitch bend: 103,61

*Diaschisma on C = D--. 2048:2025 = 19.5 cents. Limit: 5-limit. MIDI pitch bend: 33,70

Square root of 5 on C. √5 : 1 = 1393.16 cents.

*Just diminished fourth on C = F♭ (Ben Johnston's notation). 32:25 = 427.37 cents. Limit: 5-limit. MIDI pitch bend: 97,72

*Classic augmented fourth on C = F♯. 25/18 = 568.72 cents. Limit: 5-limit. MIDI pitch bend: 127,85 on P4

Schubert - D. 759, I mm.60-4, without G.P.

Schubert - D. 759, I mm.60-4, with G.P.

The opening of Beethoven's Opus 10/1 for comparison with the opening of Dussek's Sonata Opus 39/3.

A section of Ludwig van Beethoven's Symphony No. 9 in D minor, Op. 125 "Choral"

John Philip Sousa's "Keeping Step with the Union" (1921) as performed by the United States Marine Band. Track 94 from the band's 2019 album The Complete Marches of John Philip Sousa: Vol. 5 (1917-1922). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "USAAC March" (1918) as performed by the United States Marine Band. Track 87 from the band's 2019 album The Complete Marches of John Philip Sousa: Vol. 5 (1917-1922). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Wedding March" (1918) as performed by the United States Marine Band. Track 89 from the band's 2019 album The Complete Marches of John Philip Sousa: Vol. 5 (1917-1922). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Wisconsin Forward Forever" (1917) as performed by the United States Marine Band. Track 80 from the band's 2019 album The Complete Marches of John Philip Sousa: Vol. 5 (1917-1922). Conducted by Lieutenant Colonel Jason K. Fettig.

ii-V-I turnaround in C, in four-part harmony.

*Just major sixth on C = A. Just: 5:3 = 884.36 cents. Limit: 5-limit. MIDI.

John Philip Sousa's "U.S. Field Artillery" (1917) as performed by the United States Marine Band. Track 78 from the band's 2019 album The Complete Marches of John Philip Sousa: Vol. 5 (1917-1922). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Bullets and Bayonets" (1918) as performed by the United States Marine Band. Track 82 from the band's 2019 album The Complete Marches of John Philip Sousa: Vol. 5 (1917-1922). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Who's Who in Navy Blue" (1920) as performed by the United States Marine Band. Track 93 from the band's 2019 album The Complete Marches of John Philip Sousa: Vol. 5 (1917-1922). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Flags of Freedom" (1918) as performed by the United States Marine Band. Track 84 from the band's 2019 album The Complete Marches of John Philip Sousa: Vol. 5 (1917-1922). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Solid Men to the Front" (1918) as performed by the United States Marine Band. Track 86 from the band's 2019 album The Complete Marches of John Philip Sousa: Vol. 5 (1917-1922). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Naval Reserve" (1917) as performed by the United States Marine Band. Track 77 from the band's 2019 album The Complete Marches of John Philip Sousa: Vol. 5 (1917-1922). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Volunteers" (1918) as performed by the United States Marine Band. Track 88 from the band's 2019 album The Complete Marches of John Philip Sousa: Vol. 5 (1917-1922). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Chantyman's March" (1918) as performed by the United States Marine Band. Track 83 from the band's 2019 album The Complete Marches of John Philip Sousa: Vol. 5 (1917-1922). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The White Rose" (1917) as performed by the United States Marine Band. Track 79 from the band's 2019 album The Complete Marches of John Philip Sousa: Vol. 5 (1917-1922). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Naval Reserve" (1917) as performed by the United States Marine Band. Track 77 from the band's 2019 album The Complete Marches of John Philip Sousa: Vol. 5 (1917-1922). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Volunteers" (1918) as performed by the United States Marine Band. Track 88 from the band's 2019 album The Complete Marches of John Philip Sousa: Vol. 5 (1917-1922). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "On the Campus" (1920) as performed by the United States Marine Band. Track 92 from the band's 2019 album The Complete Marches of John Philip Sousa: Vol. 5 (1917-1922). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Sabre and Spurs" (1918) as performed by the United States Marine Band. Track 85 from the band's 2019 album The Complete Marches of John Philip Sousa: Vol. 5 (1917-1922). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Comrades of the Legion" (1920) as performed by the United States Marine Band. Track 91 from the band's 2019 album The Complete Marches of John Philip Sousa: Vol. 5 (1917-1922). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "USAAC March" (1918) as performed by the United States Marine Band. Track 87 from the band's 2019 album The Complete Marches of John Philip Sousa: Vol. 5 (1917-1922). Conducted by Lieutenant Colonel Jason K. Fettig.

*Classic diminished sixth on C = Abb. Just: 192/125 = 743.01 cents. Limit: 5-limit. MIDI pitch bend: 98,77